Alexandra Spence is a sound artist and musician living on unceded Wangal land in Sydney, Australia. Through her practice Alex attempts to reimagine the intricate relationships between the listener, the object, and the surrounding environment as a kind of communion or conversation. Her aesthetic favours field recordings, analogue technologies and object interventions.

Alexandra’s website

A Veil, The Sea

Your Whistle Tells of Landscape

The Splinter Orchestra

The MFA Alexandra completed in Vancouver

Students of Decay label

Bryn Chainey - Rabbit Trap trailer

Radiophrenia

Mappa label

Brigitte Hart

Shortwave Collective

EMS in Stockholm

MESS in Melbourne

Tuning of the World by R Murray Schafer

Moss Hopkins / MP Hopkins

Banana

Photograph for image by Lucy Parakhina

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Raymond MacDonald is a saxophonist, composer and academic whose work explores the boundaries and ambiguities between what is conventionally seen as improvisation and composition. Much of his recent performing work has been in collaborative free improvisation contexts, however his roots in jazz and pop music are always evident in his playing and writing. MacDonald collaborates widely and has worked with visual artists, dancers, writers and filmmakers and has produced music for film, television, theatre and the concert hall.

Behind the Big Clock from A Day for a Reason

Again and Again from Sounds, Songs, and Other Noises

Raymond’s website

Raymond’s Instagram

Raymond’s UoE page

Isabella Bird

https://www.antobarandmulltheatre.co.uk/

https://www.instagram.com/antobarandmulltheatre/

Günter "Baby" Sommer

https://guenterbabysommer.bandcamp.com/

https://brotherandsisterhood.de/

Chris McGregor’s Brotherhood of Breath

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Linda O'Keeffe is a sound artist based in New York. She holds a professorship in art at Stony Brook University, New York. A passionate advocate for the role of women in the sonic arts, she founded the Women in Sound Women on Sound (WISWOS) organisation. Additionally, she served as the Editor-in-Chief of the Interference Journal, a publication dedicated to audio cultures, from 2012 to 2022. In 2009, she co-founded the Irish Sound Science and Technology Association, leading as its President from 2015 to 2017.

Her professional focus lies at the crossroads of art, science, technology, and community. This interest has led to the creation of numerous artworks, published research papers, and keynote presentations. As a member of the artist collective, Non Random, she aims to emphasize the union of arts and science to foster dialogues around research and art practices. Non Random is currently engaged in "Evolving Ourselves with Unnatural Selection", a project funded by Creative Scotland. This collaboration between artists and researchers aims to investigate and illustrate the ethical implications and future prospects of gene editing through a digital multi-arts approach. More about these collaborative works can be found at non-random.co.uk.

Linda’s Website

Linda’s Soundcloud

The Seasons

Information about the performance of The Seasons at the HCMF

Northern Lights Project

More information about Continents Drifting

The Ceramic House in Brighton

Info about the Peripheries residency

Juss Heinsalu’s website

Lena Ortega’s website

Climate Memories instagram

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