Paul Otteson’s music is like a message in a bottle that was tossed in a loch west of Glasgow, that drifted along the jet stream to the New World.

It stopped in Brooklyn’s folk revival scene in the early aughts to pick up a pleasant spacey jangly sound that eschews the stomp clap hey of the early teens and it made its way via the fur trade up to the waters of the Gitche Gumme and down to the land of Dejope.

Today, on Taste the Music, Paul Otteson talks about the passions that made his journey in songwriting worth it - and they weren’t always musical in nature. He also tells us about the reckoning that comes with comparing yourself to others, and about the comfort that can follow.

Today's episode was produced, written and edited my me, Mark Griffin, and engineered by Aaron Scholz at WORT studios.

You can learn more about Paul Otteson and his band Faux Fawn at PaulOtteson.com or on Bandcamp.

As usual, you can find all episodes of Taste the Music at TastetheMusic.org or wherever you get your podcasts.

Today, on Taste the Music, on 89.9 WORT FM Madison and TasteTheMusic.org, Madison band Automatic Lover’s front man Uriel Lopéz Rodriguez takes us on a ride through his musical history, from a kid who couldn’t stop dancing to a short political career in Mexico, to Arizona, Colorado and finally back to Wisconsin, when a week visiting friends led him back to the music scene he couldn’t avoid.

It seemed like wherever I went last summer, Automatic Lover was there, a rhythm section, horns, keys, stalwarts in their craft of groove. And up front on vocals, Uriel Lopéz-Rodriguez, clapping his hands, urging the crowds, electrifying the audience with each beat. The music, a sound that’s somehow a fusion of latin funk, Reggae, hip hop, and groove rock. An amalgam, a reflection of what a diverse music town is on its best days.

Lopéz Rodriguez talks about forming Automatic Lover, why he’s committed to it, and the idea that maybe a vocation isn’t singular. Maybe it’s a patchwork of creation, iteration and praxis, incubating a social movement of love that’s a lot more complex than it looks on paper.

Today, Louka Patenaude joins us on Taste the Music. Patenaude is a chameleon of sorts. There’s the singer songwriter, sometimes with a country sound. There’s the bluegrass picker, then there’s the sultry 70s Grant Green sounding Jazz man. There’s the jangly indie pop that emanates from some of Patenaude’s tunes like From In My Tea, and there’s this off-kilter interpretation of Bob Dylan’s Don’t Think Twice, that dutifully transcribes the tune down to a minor scale, while preserving the melody.

A local Madison yokel, Louka Patenaude studied with the famed Richard Davis (RIP) at UW–Madison, who himself was known for being a jazz contemporary of Miles Davis, Eric Dolphy, Joe Henderson, but also for being a pop staple. You hear Davis on Bruce Springsteen’s early albums, Van Morrison, Bonnie Raitt. It makes sense, then, that Patenaude plays like one of his heroes, weaving in and out of Madison's various musical pockets, to create a space all unto his own. So, grab a root vegetable, get comfy, and Taste the Music.

Today’s episode was written and produced by Mark Griffin. Taste the Music was created by Whitney Mann and myself.