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Write of Passage by Vanessa Riley

Write of Passage by Vanessa Riley

By: Vanessa Riley
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Join bestselling author Vanessa Riley as she delves into untold histories, reflects on current events through a historical lens, shares behind-the-scenes writing insights, and offers exclusive updates on her groundbreaking novels.

vanessariley.substack.comVanessa Riley
Social Sciences
Episodes
  • Your Lying Eyes, Their Lying Lips
    Apr 28 2026
    What happens when you can’t trust your own eyes?In a world of deepfakes and media spin—from Meghan, Duchess of Sussex to Megan Thee Stallion to the White House Correspondents Dinner—the real question isn’t what’s true… it’s why we don’t care anymore.We are living in a moment when the old question—what is truth? —is being asked again.—has become the question of the moment. Aren’t you tired of relative half-truths?In an era defined by dishonest politicians, fragmented media ecosystems, and an internet that resembles a lawless western, the ability to trust what we see and hear is gone. The phrase “who are you going to believe, me or your lying eyes?”—popularized in Duck Soup—has shifted from comedy into cultural diagnosis. It was satire, people. Now it feels like instruction.At the center of this crisis is the mistrust of visual evidence itself. A recent controversy involving Meghan, Duchess of Sussex, illustrates the problem. A report from The Daily Beast, a source I relied upon in the 2010s, included a video clip on April 23, 2026, that critics argue appeared slowed down or altered to make the Duchess seem robotic—supporting a narrative that she, a woman of color, a Black woman, is difficult to work with. Observers suggested the footage has been misleadingly edited or even AI-manipulated.This incident is not isolated; it exists within a broader pattern of fabricated or distorted media. The point is not merely whether a clip was altered, but how easily perception can be engineered. Biased people want angry or disillusioned eyeballs.More manipulation is on the way, fueled by the rapid rise of deepfake technology. According to data from the Global Cyber Alliance and others, the number of deepfake files online is projected to have grown from 500,000 in 2023 to 8 million by the end of 2025—that’s an annual increase of 900%.The average American now encounters approximately 2.6 deepfakes per day, with younger adults seeing even more. And our human ability to detect these falsehoods is surprisingly low: studies show our ability to detect deepfakes is below 25%, which is worse than flipping a coin.The consequences extend beyond embarrassment or celebrity gossip. Deepfake-driven fraud caused an estimated $547 million in losses in just the first half of 2025, and AI-enabled fraud could reach $40 billion in the United States by 2027. Our midterm elections are in trouble. Seventy-eight deepfake election manipulations were discovered in 2024 alone. This is a growing threat to democratic processes.Yet, if this past weekend is any indication, we have a worse threat: apathy. Over the weekend of April 25–26, 2026, two major events unfolded: a security incident at the White House Correspondents’ Dinner and the highly publicized breakup between Megan Thee Stallion and Klay Thompson. The former, involving a reported shooting and evacuation of the president, should have dominated national concern. Instead, the latter—a celebrity breakup fueled by allegations of infidelity—captured social media attention, with search interest spiking over 800%. Lord knows I have seen as many think-pieces on male-female relationships as I’ve seen screeds saying the correspondents’ dinner was fake.It is a shame that political events are now filtered through suspicion, conspiracy, and fatigue. When reports emerged of a potential assassination attempt, many didn’t ask what happened but whether the attack was staged. Questions about security lapses—how an armed individual could approach so closely—become entangled with blatant distrust in institutions and others using the event to get a ballroom built. Cynicism ran rampant.Cynicism and para-social relationships make celebrity narratives feel more immediate, and perhaps more “real.” But these narratives take hold by performance and perception.In Lyin’ Eyes by the Eagles, we were told to: “You can’t hide your lyin’ eyes.” In 2000, the denial anthem “It Wasn’t Me” by Shaggy fed the growing, complicit beast.“Never admit to a word when she sayAnd if she claim, ah, you tell her, “Baby, no way”…But she caught me on the counter (It wasn’t me)Saw me kissin’ on the sofa (It wasn’t me)I even had her in the shower (It wasn’t me)She even caught me on camera (It wasn’t me)...”The deeper issue is not simply that misinformation exists, but that our collective response is to believe the lies or not care about what’s right or wrong, and to spread the wrong.We no longer fully trust our eyes.But we also lack the will to interrogate what we see. Facts have become negotiable, subject to “both-sides” framing that equates evidence with opinion and treats the right as equally wrong. This erosion of journalistic standards undermines personal judgment and public discourse.Honesty, we must begin at the top.Political leaders who lie and distort reality set the tone for our society.When “truth” becomes a strategic tool ...
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    12 mins
  • Abused, Black, and Beautiful
    Apr 21 2026
    As a nerd, I love patterns. I’m trained to find patterns. But today there is one I don’t want to see. There’s a pattern—and it is costing Black women their lives. Not just in the streets, but in their homes… in their relationships… even in childbirth.This is a pattern we can no longer pretend we don’t see.There is a pattern emerging—no, not emerging, persisting—and it is costing Black women their lives.We cannot keep calling these stories “isolated incidents.” We cannot keep lowering our voices when the truth demands a roar. What we are witnessing is a crisis: intimate partner violence against Black women, compounded by a maternal health system that too often fails them at their most vulnerable. Love should not be lethal. Pregnancy should not be a death sentence. And yet, for far too many Black women, both are becoming dangerous terrain.In April 2026 alone, we’ve lost:• Dr. Cerina Wanzer Fairfax, a 49-year-old dentist and mother, killed on April 16 by her estranged husband in an apparent murder-suicide.• Nancy Metayer Bowen, Vice Mayor of Coral Springs, found dead on April 1; her husband was charged with premeditated murder.• Pastor Tammy McCollum, 58, killed on April 6 in her North Carolina home by her husband.• Ashly “Ashlee Jenae” Robinson, 31, a content creator who died under suspicious circumstances on April 9 while traveling with her fiancé after documented domestic conflict.• Qualeshia “Saditty” Barnes, 36, a pregnant Detroit rapper, shot and killed in Atlanta on April 8, reportedly by her boyfriend.• Davonta Curtis, 31, a Black trans woman beaten to death on April 8 by her boyfriend.• Barbara Deer, 51, an educator killed on April 15 in a murder-suicide.• Ashanti Allen, 23, eight months pregnant, murdered before she could bring life into the world.Say their names. Hold them in your mouth. Refuse to let their stories be reduced to footnotes beneath the names of the men who killed them.Because that is what often happens—we learn more about the killers than the women whose lives were stolen.This is not a coincidence. This is not rare. This is systemic, cultural, and deeply rooted.According to the Institute for Women’s Policy Research, more than 40% of Black women will experience domestic violence in their lifetime, compared to 31.5% of women overall. The National Center for Victims of Crime reports that 53.8% of Black women experience psychological abuse, and 41.2% experience physical abuse. These are not small numbers. These are not anomalies. These are patterns.Let me repeat: 32% of all women experience domestic violence. 40% of all Black women experience this violence. This should not be.Violence against women begins early.Teen dating violence already lays the groundwork. Data from Basile et al. (2020) shows that about 8% of high school students experience physical dating violence, with girls disproportionately affected—9% of girls versus 7% of boys. Sexual violence is even more skewed: 13% of girls compared to 4% of boys. These are children learning, too soon, that love can hurt.Then comes adulthood. Then comes partnership. Then, for many, comes pregnancy.And pregnancy—what should be a sacred, supported, protected time—becomes one of the most dangerous periods in a Black woman’s life.The Centers for Disease Control and Prevention (CDC) reports that in 2023, Black women experienced 50.3 maternal deaths per 100,000 live births, compared to 14.5 for White women. That is more than three times higher. The Kaiser Family Foundation (KFF) confirms this disparity persists across income and education levels. This is not about individual choices. This is about systemic failure.Even more devastating: over 80% of pregnancy-related deaths are preventable.Preventable.Let that word sit with you.Black women are dying not because we don’t know how to save them—but because we are not saving them.Structural racism, provider bias, unequal access to care, and the chronic stress of navigating a world that devalues Black womanhood all contribute. Black women are more likely to be ignored when they report symptoms, more likely to have their pain dismissed, and more likely to receive delayed or inadequate care.When you layer that on top of intimate partner violence, the risk multiplies.What is this pattern telling Black women?Work. Survive. Endure. But do not expect to be protected. Do not expect to be safe in love. Do not expect to be heard in pain.Is that the message?Because if it is, then we must reject it—loudly, collectively, and without apology.I am one of the lucky ones.I have a loving husband. I was supported. When complications arose during my pregnancy—when my daughter Ellen’s heart rate dropped in half with every push—my doctors and nurses listened. They acted. They ordered an emergency C-section. They saved her life. They saved mine.My daughter is alive and thriving today because I was heard.But I should not be the exception.My story ...
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    18 mins
  • You, Me, and Pausing the Routine
    Apr 14 2026
    Listen… when a workaholic like me leaves the house for something that isn’t work—you should probably pay attention.Because this week, I broke my routine… and ended up in Tuscany.For this week’s rite of passage essay, I decided to do something a little different—I actually did something fun.Now, I know I’m a workaholic. I freely admit that. If I’m not writing a book, I’m reading one, or thinking about the next book I’m going to write or read. But sometimes, you have to step outside of that box—and I did just that. I went to see a movie.Yes, me. Outside the house. In a theater. Not waiting for it to stream.That alone is a huge deal.Don’t get me wrong—I love my streaming platforms. I enjoy sitting comfortably at home (or in my office), pausing for snack breaks, rewinding scenes, all of that. But this time, I made the effort to go out.I was in Detroit after a wonderful event at the Detroit Public Library speaking about Fire Sword and Sea. To give myself some downtime, I treated myself to some incredible fried chicken at The Fixin’s Soul Kitchen and then headed over to Emagine Theatres.And that’s where I saw You, me, and Tuscany.It was adorable.If you’re looking for a movie the whole family can enjoy—something that will genuinely make you laugh out loud—this is it. It reminded me of classic romantic comedies like When Harry Met Sally and While You Were Sleeping. Just warm, charming, and full of heart.First, the scenery. Absolutely stunning. It took me right back to Florence and made me want to book another trip immediately.Second, the comedy. This is a true romcom, with impeccable timing. Regé-Jean Page and Halle Bailey were genuinely funny and had real chemistry. I know some people questioned that—but it works. Watching them fall in love was sweet, playful, and engaging.The film hits all the romcom beats: the antics, the meet-cute, the charming side characters, even the tourists wandering through vineyards offering hilarious commentary. And yes, there’s the wisecracking best friend with solid advice. I would’ve loved a bit more of her, but as a writer, I understand the realities of cutting for time.Everything you expect when you hear “Tuscany”—the food, the views, the romance—is there. It’s aspirational. It’s soft-life energy. It’s a vacation on screen.Now, I know some people take issue with seeing two Black leads in a romantic comedy. To that, I say: get a hold of yourself. There are still countless films that don’t center that experience.Others have criticized the screenplay for not being written by a Black writer. But once you understand how difficult it is to get anything financed and produced in Hollywood, you learn to appreciate what does get made—especially when it honors the culture with care. And this film does: silk sleep bonnets, braids, edges, reverence to mama and family, lush wardrobes, cars, and, vineyards.It’s lovely, heartfelt, and absolutely rewatchable. I hope it becomes a classic.As for critics like Variety saying it was “missing spice”—let’s be clear. Regé-Jean Page starring in Bridgerton is one thing. This is not that.And if you were expecting that level of “spice” from someone who also starred in The Little Mermaid… did you get it there? Did you expect it here?Exactly.This is a romantic comedy. Think again about films like You’ve Got Mail—there’s very little “spice.” What you get instead is witty dialogue, heartfelt moments, and those unforgettable, adorable meet-cutes.That’s the point.If you want something with more action—go read one of my books.More steam, go read some of my friends’ books.Trust me—we’ve got plenty of spice or action or laugh out loud humor 😉. So step out of your routine—you, me, Tuscany let’s go.This week’s book list includes:One for Artemis: The Kiss Countdown by Etta Easton – A down-on-her-luck event planner enters a fake relationship with a charming astronaut for practical reasons, only to discover their chemistry might be worth risking everything for real love.By the Book by Jasmine Guillory – A frustrated young publishing assistant travels to coax a reclusive author into finishing his manuscript, but as they connect, both must confront their personal and professional uncertainties—and the unexpected spark growing between them.For those stuck on hockey here’s: Hearts on the Fly by Toni Shiloh – After a career-ending injury forces a hockey player to rethink his future, an unlikely friendship blooms with his ex’s sister.A Deal at Dawn coming June 31, 2026 - The Duke of Torrance and Lady Hampton have to find new spouses, and definitely not each other, not again.Not a romcom but the 4th book in the Lady Worthing Mystery Series releases Sept 1, 2026 -it has humor, happenstance, some shocks, and murder.Consider purchasing these books plus Fire Sword and Sea from The Book Worm Bookstore or from one of my partners in the fight, bookstores large and ...
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    9 mins
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