Showing titles in Audio Performances & Dramatisations

It's 1892, and Amelia and her now-husband Radcliffe Emerson have settled down in Victorian England after their escapade in Egypt. They're raising their young son Ramses and everything seems normal–until they are approached by a damsel in distress. Lady Baskerville's husband, Sir Henry, has died after uncovering what might be a royal tomb in Luxor. Despite rumors of a curse haunting all those involved with the dig, Amelia and Radcliffe proceed to Egypt and realize that Sir Henry did not die a natural death.

The day Jerusalem falls, Miriam Elmahdy knows her life is over. Houses are burning, the streets run red with blood, and a traitorous army is massacring every last resident. There is no surviving this, especially not once Miriam catches the eye of War himself. But when the massive and terrifying horseman corners Miriam, he calls her his wife, and instead of killing her, he takes her back to his camp.

I’m usually alone in my head, and that’s where 90 plus percent of my problems are. When Murderbot's human associates (not friends, never friends) are captured and another not-friend from its past requires urgent assistance, Murderbot must choose between inertia and drastic action. Drastic action it is, then.

Pam Ayres' stage show has been a sell-out success throughout the world. With her natural warmth and wit she builds up a rapport with the audience that guarantees an evening of fun and laughter. Pam's reflections on daily life bring a chuckle of recognition from people of all ages. Whether she's...

Nora Helmer has everything a young housewife could want: Beautiful children, an adoring husband, and a bright future. But when a carelessly buried secret rises from the past, Nora’s well-calibrated domestic ideal starts to crumble. Ibsen’s play is as fresh today as it was when it first stormed the stages of 19th-century Europe.

The Ivy House team is shaping up, but there are still holes to be filled, and a magical summons outstanding. Jessie needs a teacher. Someone who can fit in with the whacky Ivy House crew. And that was going just fine...until she gets a request to host a powerful, neighboring mage. A teacher isn't going to be enough.

Kieran has stepped up to take his place as the ruler of magical San Francisco. As his girlfriend I'm in the spotlight, and the Hades Demigods have taken notice. They want me on their team, and they don’t plan on asking nicely. Kieran and I are both under fire. They will kill him to get to me, and they'll take me by force if necessary. It is essential I learn more of my magic. With no other options, I do what scares me the most—I summon the last Spirit Walker to help train me.

Jeremiah Bourne is a boy with a remarkable gift. He can travel in time. Not by using a time machine, or stepping through a dimensional portal. It just happens to him, as though by accident. One minute he’s in the present day, the next, he’s 100 years in the past, standing in the London of 1910. Jeremiah has two questions: how did he get there - and how can he get back? On his quest for the answers, he enlists the help of Phyllis Stokes of The Society for Theosophical Research and her equally eccentric brother, Roger Allcot Standish, magistrate, spiritualist and dedicated nudist.

Radcliffe Emerson, the irascible husband of fellow archaeologist Amelia Peabody, has earned the nickname "Father of Curses"—and in Mazghunah he demonstrates why. Denied permission to dig at the pyramids of Dahshoor, he and Amelia are resigned to excavating mounds of rubble in the middle of nowhere.

Everything Poppy has ever believed in is a lie, including the man she was falling in love with. Thrust among those who see her as a symbol of a monstrous kingdom, she barely knows who she is without the veil of the Maiden. But what she does know is that nothing is as dangerous to her as him. The Dark One. The Prince of Atlantia. He wants her to fight him, and that's one order she's more than happy to obey. He may have taken her, but he will never have her.

A BBC Radio 4 full-cast production of one of the earliest plays by Alan Bennett. The 1970s are a time of change, but Labour MP George Oliver feels stuck in one place: distrusting the ‘mawkish mentality’ of the young and fearing the encroaching life of the middle-aged, with little to look forward to but the imminent end of a not-very-interesting road.

A man awakens in a clearing in what appears to be medieval England with no memory of who he is, where he came from, or why he is there. Chased by a group from his own time, his sole hope for survival lies in regaining his missing memories, making allies among the locals, and perhaps even trusting in their superstitious boasts. His only help from the “real world” should have been a guidebook entitled The Frugal Wizard’s Handbook for Surviving Medieval England, except his copy exploded during transit. 

In this BBC full-cast production of A Midsummer Night's Dream, Hermia, Lysander, Demetrius and Helena run to the woods and stumble into a life separate from time itself. Fairy magic wreaks havoc and midsummer madness takes over as lovers tread the delicate line between fantasy and reality...

By day, Mercy Thompson is a car mechanic in the sprawling Tri-Cities of Eastern Washington. By night, she explores her preternatural side. As a shape-shifter with some unusual talents, Mercy’s found herself maintaining a tenuous harmony between the human and the not-so-human on more than one occasion. This time she may get more than she bargained for.

The only life Tress has known on her island home in an emerald-green ocean has been a simple one, with the simple pleasures of collecting cups brought by sailors from faraway lands and listening to stories told by her friend Charlie. But when his father takes him on a voyage to find a bride and disaster strikes, Tress must stow away on a ship and seek the Sorceress of the deadly Midnight Sea. Amid the spore oceans where pirates abound, can Tress leave her simple life behind and make her own place sailing a sea where a single drop of water can mean instant death?

The apocalypse is approaching as his Doom Points tick up and John is finding it harder and harder to keep it together. His deepening knowledge of magic seems to be helping but as a hidden society creeps out of the shadows, intent on throwing the world into chaos, it may not be enough.

David Tennant stars as Malvolio in Shakespeare's comedy of disguise, madness and love. One of Shakespeare's happiest plays, Twelfth Night is both a comedy of misrule and a trenchant attack on puritanism. Disguise and deceit leads to misadventure, madness and mistaken love. Orsino loves Olivia...

Ana da Silva always assumed she’d die young, she just never expected it to be at the hands of Famine, the haunting immortal who once spared her life so many years ago. But if the horseman remembers her at all, he must not care, for when she comes face to face with him for the second time in her life, she’s stabbed and left for dead. Only, she doesn’t quite die.

Jessie is well on her way to learning her new life and settling in. The tough alpha, Austin, has joined her team, and she has painstakingly learned to fly. At the moment, life couldn’t get any better. But it can get a whole lot…more irritating. Her parents have decided to visit. They don’t know anything about magic, about Jessie’s new digs, or about the crazy crew living in and around Jessie’s house. She must do everything in her power to keep the truth away from them. Which would be much easier without the unfelt presence lurking within Ivy House’s borders.

Being a different breed of shapeshifter—a walker—Mercy can see ghosts, but the spirit of her long-gone father has never visited her. Until now. An evil is stirring in the depths of the Columbia River—and innocent people are dying. As other walkers make their presence known to Mercy, she must reconnect with her heritage to exorcise the world of the legend known as the river devil.