Showing titles in Acting & Auditioning

Access Accents bring the highly sought-after voice techniques of top voice coach Penny Dyer to the actor's audio device. A unique opportunity to prepare for auditions at short notice.

A funny, daring, bawdy and incredibly honest memoir from the anti-ageist, anti-body shaming, pro-sex advocate and erotic provocateur. Over the course of his 35-year career in show business, David Pevsner has done it all. He’s acted on Broadway, off-Broadway, in independent films and on...

This empowering and accessible audiobook guide offers dyslexic actors a range of techniques to tackle common challenges, improve your creative practice, and fulfil your ambitions. You'll find loads of practical information and advice on: Understanding your dyslexic identity – so you can learn and perform at your best, and unlock your full potential. Developing the key skills you need as an actor – with tools to help you master each of them, such as text work, line-learning, movement, voice, Shakespeare and more.

This guide to play reading for students and practitioners of both theater and literature complements, rather than contradicts or repeats, traditional methods of literary analysis of scripts. Ball developed his method during his work as Literary Director at the Guthrie Theater, building his guide on the crafts playwrights of every period and style use. The audiobook is full of tools for students and practitioners to use as they investigate plot, character, theme, and the other crucial parts of the superstructure of a play.

With so much written, rumored, told, and retold about Marilyn Monroe, it's amazing to consider how much we still don't know. On the screen she was iconic, radiant, yet her talent so rarely earned her respect. In life she was intelligent, brilliant, yet regarded as little more than Hollywood's blond bombshell. But who was the real Marilyn Monroe beyond the hit films and the headlines?

Actor Julie Hesmondhalgh's working diary begins in November 2016 at the end of a full and exciting year of theatre-making with her company, Take Back. The company is a northern-based collective creating immediate script-in-hand responses to social and political events (of which there were many in 2016). Her work with Take Back fell between filming the third series of Broadchurch for ITV and starring in the award-winning play Wit at the Royal Exchange Theatre in Manchester.

The poster-child victim of a dysfunctional family from Beech Grove, Indiana, Steve McQueen experienced an unsettled early life with a rebellious and alcoholic mother. McQueen channeled his difficult childhood into a masterful career on screen portraying tough, self-sufficient characters in such iconic films as The Magnificent Seven, The Great Escape, The Sand Pebbles, Bullitt, and Papillon.

For anyone who has ever wanted to take an acting class, "this is the best book on acting written in the last twenty years" (David Mamet, from the Introduction). This book describes a technique developed and refined by the authors, all of them young actors, in their work with Pulitzer...

“Jeffery takes us on a wild—sometimes shocking—and always funny romp.”—Andy Cohen "Excellent . . . Self is a very clever writer . . . and there’s never a dull moment in his captivating, extremely well-written stories that will have readers hoping for more."—Booklist (starred...

A hapless elephant keeper must do everything he can to save his failing zoo Terry Lyon, assistant head keeper of Southwood Zoo, trusts animals because most people think he’s a waste of space. But as the zoo lurches towards bankruptcy, his future looks bleak. As if managing hungry elephants and...

From his agent's phone call offering him the role of Estragon, Lucian Msamati brings brilliantly to life the experience of co-starring with Ben Whishaw in James Macdonald's celebrated production of Waiting for Godot in London's West End. Through rehearsal room highs and lows, workaday laughs and tears, literal stumbles and grumbles, we journey with Lucian, his fellow actors and creatives, and Beckett's play, sharing in the personal and dramaturgical discoveries they make and the inevitable emotional contours of an experience as intense as this one.

Voice actors across the globe rely on commercials as a good source of income, but success in this area of the voice over industry can be tricky. VO talent need a strong understanding of the many elements involved in delivering captivating, original commercial reads. Commercial Voice Over Strategies: Tell a Story, Land the Job is the answer. Veteran voice talent Chris Agos walks you through a step-by-step way of ensuring your reads will resonate with talent buyers.

The master acting teacher Richard Boleslavsky presents his acting theory and technique in a lively and accessible narrative form. Widely considered a must-have for beginning as well as established actors, Boleslavsky's work has long helped actors better understand the craft of acting and what it takes to grow as an artist. He has taught generations of some of the best stage and screen actors and actresses. Written in the form of a series of dialogues, these lessons aim to inform and instruct the budding actor on some of the basic principles of acting and learning to act.

What do you do when actors won't do what you tell them to? Remembering his own awkwardness and terror as a beginning director working with actors who always had their own ideas, director John Badham has a bookload of knowledge to pass along in this inspired and insightful must-listen for cinema fans as well as actors and directors at all levels of their craft.

This book will help you start a career as a voice actor or voice-over. It will also help you if you are looking to understand how to get started and the principals of recording and editing, finding the right equipment, reading and writing scripts, identifying your unique voice, and finding buyers for your voice work. This book is exclusive! Listen to it today! As the founder of AllTalk Global, Richard Andersone is currently serving thousands all over the world in over 100 countries! Hear this mini-guidebook to find out why so many people have gained new skills.

Stanislavski was the first to outline a systematic approach for using our experience, imagination and observation to create truthful acting. In Acting Stanislavski, John Gillett offers a clear, accessible and comprehensive account of the Stanislavski approach, from the actor's training to final performance, exploring ease and focus, the nature of action, interaction and objectives, the imaginary reality, senses and feeling, active analysis of text, physical and vocal expression of character, the actor in the context of training and the industry.

Jeff Corey (1914-2002) made a name for himself in the 1940s as a character actor in films like The Killers (1946). Everything changed in 1951, when he was summoned before the House Un-American Activities Committee. Corey refused to name names and was promptly blacklisted, which forced him to walk away from a vibrant livelihood as an actor and embark on a career as one of the industry's most revered acting instructors. In Improvising Out Loud: My Life Teaching Hollywood How to Act, Corey recounts his extraordinary story.

From Tony Blair and David Frost to Aziraphale and Hamlet, Michael Sheen has taken on a host of iconic roles, inhabiting each one with complete conviction. But – whether he’s transforming himself into real figures or bringing fictional ones to life – how does he go about immersing himself in his characters? The answer lies in an obscure Russian theatre technique that has evolved to become a central plank of modern-day acting training.

Bring the rustic charm of England’s West Country to life on the stage or screen with A Guide to the West Country British Accent. This course is ideal for actors, voice-over artists, and performers who want to perfect the sounds of this distinctive British accent from Devon, Cornwall and Somerset.

Act: The Modern Actor’s Handbook is the result of 30 years of one of North America’s most renowned acting teachers teaching some of the world's most talented screen actors. This is a full tour through the concepts at the heart of Rotenberg’s techniques: states of being, primaries and secondaries, images that you elaborate up or distill down, modifiers, actions and beats, and more. Although his methods loosely draw on the great acting teachers like Hagen and Meisner back to Stanislavski, he teaches new techniques suited to the best of today’s screen actors.