Showing results by narrator "David Smith" in All Categories

Carving out a living in the Deathlands is no easy feat. To most, the only thing that matters is one more day spent above ground. To the man known as Trader, the only thing that matters is the bottom line. In a mutie-filled, irradiated wasteland, Trader and crew set out to find the scavvie Marsh Folsom. Stories going around say that Folsom has knowledge of an underground cache with a legendary bounty.

Since time immemorial, humans have worshipped the gods they call Fhrey, truly a race apart: invincible in battle, masters of magic, and seemingly immortal. But when a god falls to a human blade, the balance of power between humans and those they thought were gods changes forever. Now only a few stand between humankind and annihilation: Raithe, reluctant to embrace his destiny as the God Killer; Suri, a young seer burdened by signs of impending doom; and Persephone, who must overcome personal tragedy to lead her people. The Age of Myth is over. The time of rebellion has begun.

Captain Felix Duval and the crew of the Temerarious quietly patrol a remote Mentak Coalition colony system where nothing ever happens. But when they answer a distress call from a moon under attack, that peaceful existence is torn apart. They rescue a scientist, Thales, who's developing revolutionary technology to create new wormholes. He just needs a few things to make it fully operational...and now, ordered to aid the scientist, the Temerarious is targeted by two rival black-ops teams intent on reacquiring Thales. 

Joseph Campbell, arguably the greatest mythologist of the twentieth century, was certainly one of our greatest storytellers. This masterfully crafted book interweaves conversations between Campbell and some of the people he inspired, including poet Robert Bly, anthropologist Angeles Arrien, filmmaker David Kennard, Doors drummer John Densmore, psychiatric pioneer Stanislov Grof, Nobel laureate Roger Guillemen, and others. Campbell reflects on subjects ranging from the origins and functions of myth, the role of the artist, and the need for ritual to the ordeals of love and romance.

For more than a year Royce Melborn has tried to forget Gwen DeLancy, the woman who saved him and his partner Hadrian Blackwater from certain death. Unable to get her out of his mind, Royce returns to Medford with Hadrian but the two receive a very different reception—Gwen refuses to see them. The victim of abuse by a powerful noble, she suspects that Royce will ignore any danger in his desire for revenge. By turning the thieves away, Gwen hopes to once more protect them. What she doesn't realize is what the two are capable of—but she's about to find out.

Andrew Dare is a werewolf. He’s the enforcer for the Roanoke pack, and responsible for capturing or killing any Were intruders in Roanoke’s territory. But the lone Were he’s tracking doesn’t smell or act like anyone he’s ever encountered. And when he catches her, it doesn’t get any better. She’s beautiful, she’s crazy, and someone has tortured her by injecting silver into her veins. She says her name is Silver, and that she’s lost her wild self and can’t shift any more.

Following the events in Network Effect, the Barish-Estranza corporation has sent rescue ships to a newly-colonized planet in peril, as well as additional SecUnits. But if there’s an ethical corporation out there, Murderbot has yet to find it, and if Barish-Estranza can’t have the planet, they’re sure as hell not leaving without something. If that something just happens to be an entire colony of humans, well, a free workforce is a decent runner-up prize. But there’s something wrong with Murderbot; it isn’t running within normal operational parameters.

An acclaimed crime novelist and dramatist, Alison Joseph has scripted over 25 plays for BBC Radio. This collection showcases four of her original crime dramas, all specially written for Radio 4 – beginning with an apparently open-and-shut case for Sister Agnes that turns out to be anything but...

Sci-fi’s favorite antisocial A.I. is back on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah's SecUnit is. And Murderbot would rather those questions went away. For good.

No, I didn't kill the dead human. If I had, I wouldn't dump the body in the station mall. When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people—who knew?) Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again!

On his 13th birthday, foster child Alcatraz Smedry gets a bag of sand in the mail - his only inheritance from his father and mother. He soon learns that this is no ordinary bag of sand. It is quickly stolen by the cult of evil Librarians who are taking over the world by spreading misinformation and suppressing truth. Alcatraz must stop them, using the only weapon he has: an incredible talent for breaking things.

"Happily Ever After" wasn't supposed to come with a do-over option. But when my husband of twenty years packs up and heads for greener pastures and my son leaves for college, that's exactly what my life becomes. Do-over. This time, though, I plan to do things differently. Age is just a number, after all, and at forty I'm ready to carve my own path. Eager for a fresh start, I make a somewhat unorthodox decision and move to a tiny town in the Sierra foothills. I'll be taking care of a centuries old house that called to me when I was a kid.

SHORTLISTED FOR THE SPORTS ENTERTAINMENT BOOK OF THE YEAR 'Crammed full of funny stories, below-the-belt banter and amusing observations, it’s gold' Rugby World Once described as rugby’s answer to Ant & Dec, David Flatman and Mark Durden-Smith are the oddest of odd couples. Now this hugely...

Originally broadcast on Radio 4 in 2003-4, We’ve Been Here Before is the topical, satirical, historical panel game that aims to show beyond all doubt that there’s nothing new in the news. Hosted by award-winning comedian, broadcaster and Whose Line Is It Anyway? star Clive Anderson, it takes a wry, witty look at long-gone days through a present-day lens, as the panellists battle it out to discover who’s got the best memory for detail when it comes to raking up the past.

I've agreed to work for a Demigod. My job? Find the spirit of his mother and release her before his vengeful father finds out and kills us all. Have I lost my mind? Thankfully, I don't have to do it alone. Kieran has brought in help: a Necromancer who loves to flirt with danger. Bria can help me find the clues to free Kieran's mom.

There is more in our world than you know. Deep in the darkness of a government building, one man needs to find the perfect solution to a vampire’s request that the government satisfy the debt of honor owed him. If he falls short, the failure will be paid in the blood of the military. He needs three uniquely qualified individuals. He can find only one. One woman, dying, might be the ace-in-the-hole he needs to appease the Vampire. But then, she might also be the one person needed to save humanity. If she is accepted, will she willingly change? 

Ben Field was good looking and charming, and as a passionate English literature student, knew the power of words to seduce. In the village of Maids Moreton in Buckinghamshire, 69-year-old Peter Farquhar, an eminent teacher and author, found Ben’s presence irresistible. They set up home together, underwent a ‘betrothal’ ceremony at a church, but all along Ben was gaslighting his partner and secretly poisoning him. A year later Peter was dead.

Butcher's full vendetta is revealed as is Vought-American's part in the events on 9/11. Gregg Mallory tells Hughie the history of the Boys and Hughie later confesses his real identity to Annie, Hughie returns to the fold as he and Butcher investigate a murder that may involve Jack from Jupiter. Butcher then returns to London to view the body of his deceased father and Butcher's full back-story as a one-man reckoning is revealed.  

Once, I was a broke college student. Now, it seems I'm destined to rule as the Lightbringer—queen of the demon realm. Except I have competition in the form of Orion, the Lord of Chaos. Like me, he has been marked as a leader. We can't keep our hands off each other, even if he swore an oath to kill me. It seems we both want the same thing—the crown. And in this battle of wills, only one of us will be left standing.

Raithe, the God Killer, may have started the rebellion by killing a Fhrey, but long-standing enmities dividing the Rhunes make it all but impossible to unite against the common foe. And even if the clans can join forces, how will they defeat an enemy whose magical prowess renders them indistinguishable from gods?